Musicology Community at University Suffers Loss as Pioneers In Field Pass Away
In the realm of musicology, the University of California, Los Angeles (UCLA) has been a beacon of knowledge and innovation, fostering the careers of many esteemed scholars. Two such figures, Marie Louise Martinez Göllner and Frank D'Accone, left indelible marks on the department and the field as a whole.
Marie Louise Martinez Göllner, a formidable presence standing six feet tall with wavy black hair, joined the UCLA musicology department in 1970. Known for her penetrating, deeply informed work, she made significant contributions to the understanding of late medieval and early modern German music, and the development of the symphonic form. In the 1970s, she published guides to cataloguing manuscripts, and later translated Thrasybulos Georgiades's "Music and Language" into English, providing a new introduction.
Prior to joining UCLA, Frank D'Accone taught at the State University of New York, Buffalo. He made his mark at UCLA by becoming the chair of the department of musicology. His scholarly work focused on the music of northern Italy, and he published groundbreaking dissertations documenting the music of Florence. In 1997, he published "The Civic Muse: Music and Musicians in Siena during the Middle Ages and the Renaissance". D'Accone's work, including twelve volumes of the Florentine repertory, is highly regarded in the field of Italian Renaissance music.
In 2000, a conference was held at UCLA's Center for Medieval and Renaissance Studies in honour of Marie Louise Martinez Göllner's retirement. The event was also a celebration of her life's work, and "The Echo of Music: Essays in Honor of Marie Louise Göllner" was published by Harmonie Park Press that same year. Frank D'Accone was accorded the rare honour of a festschrift, with "Musica Franca, Essays in Honor of Frank D'Accone" published by Pendragon Press in 1996.
Sadly, both Marie Louise Martinez Göllner and Frank D'Accone passed away in 2022. Their contributions to the field of musicology continue to be felt, and their work remains a testament to their dedication and passion.
For those interested in learning more about their specific contributions and details, searching through UCLA archives, academic databases, the university's musicology department resources, or contacting the UCLA Alumni Association might be the best approach. By doing so, one can delve deeper into the rich tapestry of knowledge these scholars wove during their time at UCLA.
Alyson McLamore, professor of music at CalPoly, San Luis Obispo, remembered Frank D'Accone as a demanding but inspiring teacher. His legacy continues to inspire generations of musicologists, as they strive to uncover the hidden gems of music history.
Engaging with the UCLA archives, academic databases, or the university's musicology department resources can provide valuable insights into the education-and-self-development of scholars like Marie Louise Martinez Göllner and Frank D'Accone, offering a deeper understanding of their learning processes and significant contributions to musicology.
The published works of Marie Louise Martinez Göllner and Frank D'Accone, such as "The Echo of Music: Essays in Honor of Marie Louise Göllner" and "Musica Franca, Essays in Honor of Frank D'Accone", serve as valuable resources for those seeking to learn more about their specific scholarly endeavors and the impact they made in the field of musicology.
